Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Melendez, Luis Eugenio
Still Life with Pigeons, Onions, Bread and Kitchen Utensils

ID: 19366

Melendez, Luis Eugenio Still Life with Pigeons, Onions, Bread and Kitchen Utensils
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Melendez, Luis Eugenio Still Life with Pigeons, Onions, Bread and Kitchen Utensils


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Melendez, Luis Eugenio

Spanish, born in Italy, approx. 1716-1780  Related Paintings of Melendez, Luis Eugenio :. | Stell Life with Melon and Pears (mk08) | Still-Life with a Box of Sweets and Bread Twists | Still-Life with Melon and Pears | Portrait of the Artist Holding a Life Study (mk05) | Style life with figs |
Related Artists:
Edwin Deakin
1838-1923
th. hildebrandt
Ferdinand Theodor Hildebrandt, född 2 juli 1804 i Stettin, död 29 september 1874 i Dusseldorf, var en tysk målare. Hildebrandt började sina konstnärliga studier i Berlin under Wilhelm Schadow, vilken han 1826 följde till Dusseldorf, och blev en av den där grundade skolans mest framstående lärjungar. 1825 framträdde han med Faust, 1826 med Cordelia och kung Lear och 1828 med Tankred döpande Klorinda. Ännu större popularitet vann han 1835 för Mordet på kung Edvards söner. Bland hans genrebilder har i synnerhet Krigaren och hans son (1832, Berlins nationalgalleri) blivit känd. Hildebrandt, som för övrigt utförde illustrationer och porträtt, kallades på sin tid realist, men han var knappast fri från den melodramatiska ton och den sentimentala inställning, som tillhörde skolan.
Leonardo Alenza Y Nieto
b Madrid, 6 Nov 1807; d Madrid, 30 June 1845 Spanish painter and illustrator. He studied at the Real Academia de S Fernando, Madrid, under Juan Antonio Ribera y Fern?ndez and Jos? de Madrazo y Agudo. He worked independently of court circles and achieved some fame but nevertheless died in such poverty that his burial was paid for by friends. He is often described as the last of the followers of Goya, in whose Caprichos and drawings he found inspiration for the genre scenes for which he became best known. Of these scenes of everyday life and customs the more interesting include The Beating (Madrid, Cas?n Buen Retiro) and Galician with Puppets (c. 1835; Madrid, Cas?n Buen Retiro; see SPAIN, fig. 17). Alenza y Nieto's numerous drawings include the illustrations for Alain-Ren? Lesage's Gil Blas (Madrid, 1840), for an edition of the poems of Francisco de Quevedo published by Castello and for the reviews Semanario pintoresco and El Reflejo. The painting Triumph of David






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